I've read that derivatives are so complex they're created by computers and not even the software authors really understand them.

Jeremy Piven might not seem the obvious choice to play the ringleader of this menagerie, but shows a side of himself I haven’t seen before: The pep-talking, super confident, ultra cynical salesman.

"Bedtime Stories" is not my cup of tea. Even the saucer.

Missing the e 
in epic...

In Synecdoche, Kaufman has been afforded a privilege he doesn’t deserve; his unimaginative imagery never comes close to the magnificence that visionary director John Moore creates in the turbulent tableaux of Max Payne.

It is, like Quantum [of Solace], edited like shattered glass, but here the shards have been choreographed so that a sense of spatial geography is maintained.

"Ballast" is the very life of life.